Louiza Vradi is a visual artist working with photography, video and new media based in Athens, Greece. She studied visual arts, new media and art education at Athens School of Fine arts. She is interested in exploring the personal and collective memories, human movement, gender and youth culture and our relationship with the land we inhabit. She is an art educator and has been trained in art therapy, which led to her work as an art and photo therapist for people with mental & psycho social disabilities, as well as drug addicts. Her customers include international publications, media, non profit organizations, universities and creatives. Her work has been awarded and exhibited internationally.
Carolyn Guinzio‘s most recent collections are How Much Of What Falls Will Be Left When It Gets To The Ground? (Tolsun, 2018) and Ozark Crows (Spuyten-Duyvil, 2018). “At Opening” is a part of a project that received a 2019 Artists 360 Work-In-Progress Award. She lives in Fayetteville, AR and her website is carolynguinzio.tumblr.com
Sofía Bertomeu Hojberg (Spain, 1991) : My projects concern issues such as “dissolved identities”, “dissolved spaces”, deep and hidden emotions, abstract landscapes within wider areas (museums, bodies…), conceptual and thematic Soundscapes and Portraits. The usage of the term “Scape” as a double-way meaning; As a landscape shortening and as an actual escape from our own’s reality.
I use Photography, Painting, Sound Art, Experimental Music and Drawing in order to approach these concepts and materialize them through a tangible matter.
I usually mix those media for certain projects.
“Glossolalia” is a live-piece following the radio-art ethos. Composed soundscapes of field
recordings and a 0-input mixer are crushed through the magnetic tape medium, enveloping the disused cassettes found in various thrift stores. Voices stripped from their bodies, debatable functionality of sounds and a lingering question; Should I get my pencil?
Το «Γλωσσολαλιά» είναι ένα ηχητικό έργο ηχογραφημένο σε πραγματικό χρόνο το οποίο
ακολουθεί το ραδιο-τέχνης ήθος. Τα τεχνητά ηχητικά τοπία των εγγραφών πεδίου και ενός μίκτη μηδενικής εισόδου συνθλίβονται μέσω της μαγνητικής ταινίας και περιβάλλουν κασέτες-ευρήματα, που βρίσκονται θαμμένες σε παλιατζίδικα. Φωνές απογυμνωμένες από το σώμα τους, αμφισβητήσιμη λειτουργικότητα των ήχων και μια επίμονη ερώτηση: Should I get my pencil?
Georgios Mizithras is a musician and sound artist. He is active as both a composer and a performer in a range of fields, including electroacoustic music, improvisation, sound art, and audiovisuals. His current interest lies in repurposing old media as devices of artistic expression. He has performed at the “Klingt Gut” Festival (Hamburg, 2017) “Visual March in Prespes” (Thessaloniki, 2014), “AGORA” (Athens, Biennale 2013), Alte Schmiede (Vienna, 2014) and at numerous venues in Greece. He is a graduate of composition at the Music Studies department of the Ionian University and has also studied at De Montfort University’s Music Technology and Innovation department (Leicester). He is currently doing he’s Master’s in Music Technology at the National and Kapodistrian University of Athens.