From “The Vanity Project” to the “Politics” issue, contents were connected through a linguistic game. At the beginning of each issue there was a republished work (text, video) which functioned as a source of inspiration for the contributors. They selected a word or phrase from it to associate their work to that word, and to the whole text in extension (we called them words-links). Contributors could also select word-links from any other piece or artwork included in each issue. Videos, sounds, poems, prose, drawings and photographs are connected with a source text through words-links. This way, a new sphere of meaning, a rhizomatic field of expression is being formed.
a glimpse of the evidence, the fire, the flesh, the unprotesting flavourless tongues.
ISSUE 18 . CORPORATE CANNIBAL
ISSUE 17 . GAIA’S FLESH
ISSUE 16 . CRANBERRY JOUISSANCE
ISSUE 15 . THE DINNER IS SERVED
ISSUE 14 . THE SPHINX WANTS ME TO GUESS
ISSUE 13 . THE JOURNAL OF MULTIPLE I’S
ISSUE 12 . NEURONIC UNIVERSE
ISSUE 11 . MORE EUPHORISMS
ISSUE 10 . MEDITATION IN NARRATIVE
ISSUE 9 . THE CRACK-UP
ISSUE 8 . SNAFU
ISSUE 7 . WHAT HAPPENED
ISSUE 6 . SOON INTO THE SUMMER I WILL WALK OUT
ISSUE 5 . DELYSID
ISSUE 4 . PURPLE PASSAGE
ISSUE 3 . SEMIOTIC THEORY
ISSUE 2 . THE FUNERAL PARADE OF ROSES
ISSUE 1 . THE VANITY PROJECT
a glimpse of the hollow, the home, the geometric.