GAIA IS GONE

Louise Anne Buchler

You wont find Gaia on a yoga mat
downward dog
arse skyward – upside down, fuelled on organic oats and manuka honey
or on the self-help shelf at Waterstones on a two for one deal
where the essential womanhood is spouted from a font like the one you saw in Salisbury Cathedral
reflecting back centuries – along with your face
or in Oxfam, where you discovered a collection of poetry from the 70s for a quid – and displaced like a satellite, sat at Liverpool Street Station wondering why they all dressed like men and spoke of revolution

The only revolution I ever knew was the passing of time, and her hands as rough as brillo pads, cupping my face

You wont find Gaia bent over a toilet bowl
or in the poetry of a man who tells you, you’re a goddess and your cunt a temple – as he woos you with lines he’s written for other women, in other bars, in other cities – cum all ye faithful.
My cunt speaks of rain and damp heat – she is no more sacred than any other – but she is mine.

The only goddess I ever knew existed in a library book – vacant eyed and bejeweled, as a man stood watching me, his cock protruding from his trousers like an angry mute and blind snake.

We all know that Biblical garden of Eden – in all its lush, fertile ripeness was just a metaphor.

Ask the woman at the bus stop with teeth like broken china where Gaia has gone – the last time she saw her was trapped in a crack pipe – spinning out of space and time like a falling star
and now Gaia doesn’t visit anymore
and she spends her benefit money in one go –
because it’s easier to avoid gardens, snakes and temptation.

I am forging my own mythology
Gaia was always such a smug bitch
she can’t be everything
she doesn’t speak my mother tongue.

Gaia’s Flesh

by Alice Hui-Sheng Chang

untitled poem



trace the 			heard
        listen to the 			melting

                                                            from where
young and little
                              is it me?

                      beyond 		      the belonging
           of death
in 				a 	liminal 	          origin

words-links: flesh, history, geography

.

Markie Burnhope

Becoming Gaia

a liturgy to accompany transition


I mark my skin and toxins

mother ecosystem, gorgantuan
organism, curator of Pangea without borders
the ableism in mountain ranges

I have been rejecting you
and my celestial sisters, clusters
and auroras, glistening like prison keys

for churches: stone, steel
parishes and warehouses

I burn my former’s gestures with his genes

over kindling heaped with his abuses
his aversion to ambulance light and sirens

a moment to forget his name, the date
a catheter routinely forced inside his penis
a surgical gown tied behind his back to make

his incontinence pad visible to his visitors
(they’re making memes of disease as I write this)

I hope to align my mind with my contortions

I have listened to trees
described as bodies bending over
and dismissed these as metaphor
never pressing my palm to your rings of ages

my wheels have rolled
over bright wild flowers
who lay flat, repenting

the gender of air is not
in her stoop to help man tower
towards his cold concreteness
but
in her breath, her breaches

[stay still for a minute’s silence]

so if I wear the fire salamander’s textures

grant me safety and stealth
to slip underneath the water and my health
and find the earth, sleeping
my ears having heard not one
single messiah like her silence

I assign my signature’s eye not dots but holes

Ventricle

by Steve Toase

Disguised as a wormcast, Sopdet’s heart was fragile.
Ventricles of crumbled soil.
Origami valves pumped
an argot of forgotten
names
into the air.
He held the heart
in a sweat damp palm.
Nestled against calluses.
For a moment,
he considered its taste.
Then,
let the heart
fall
into
the
cracked clay beside his feet,
rubbed his hands clean
upon fraying jeans,
and did not hear
the heartbeat,
over worms
masticating the dirt.

Words-links: fallen, heart, goddesses

Ann Matthews

Ann Matthews Estuary

words-links: dead, between sea and marsh, dandelion fluff, trees, turbulent,

Terrible Goddess

by Yoko Danno

Among piles of dust and ashes lie
yesterday’s fireflies—motherfucker,
mother earth, who swallows all
sentient beings—have you ever
thrown up corpses from indigestion?

“I will defy death by setting up
1,500 maternity homes in a single day
in the land of the living,” god retorts
to his wife, the eater of bizarre food,
the multi-faced goddess with centi-legs

Her white hair floating in the air
like dandelion fluff—rootless,
will-less, antenna-less— she goes
sailing with every shift of wind.―
Tomorrow maybe a turn for a new life

“Animals don’t escape to somewhere,
but from something,*” god says. In time
a moonlit pear tree may grow― but for now
he is singing sweet love songs for humans
under the shadow of nuclear umbrellas


*Quoted from “Life of Pi” by Yann Martel

&yet

by Sophie Mayer

wet
& yet

this one timeflood

the chest wall cracks
open: waterfall heart
full & a hot pink air

*

or what I am trying to say is

*

all the ways

my

cunt/body/heart/blood/sensorium

feels

towards/in/through/for/of/at

apprehending

world/you/self/us/possibility/desire

o my all

is the way // the way is all

WALLWALLWALL

*

it’s only a few words from keraia horn(y) to
                                                          keragnumi all mixed up
                                                                                       poured out

*

feeling: apprehensive

               to feel = to apprehend
               in the one timeflood
               flash memories of how
               this was wrong & this
               & can it be right now

fuckfuckfuck / a grammar
of sex & errancy

a curseblessing    killcure

sip at

*

there’s this thing with prepositions

there is nothing more wistful than these bits of language that solidify all our raw hopes of relation

wistful:
from whisht not wis nor wit

which vectored silence cannot
hold knowing // cannot but hold
the timeflood, the one & one & one

it happened to
it happened for
it happened with
it happened by
it happened under

raw.ow.

*

&yetbutstill

& yet: verb, to pour, to melt metal, pour out, flow

I fucking love (for other cognates,
see gush) the dictionary
f/lick it to get
(gut)

yet/ymology: Old Norse gjóta only in senses, to drop one’s young, twinkle with the eyes

I twinkle with the alternative
with happening (&-ing (in general)

we are all dropped when young
one way or another dropped into
world &still here most days

so slide on that, pageturn for
the one timeflood is //stacking//

a ‘vertical’ investigation … concerned, in a sense, not with what is occurring, but with what it feels like

what it feels to
like & beliked
to be like to be

concerned with
to concern to
occur // happen

a happiness
               that hot
a happiness
               pink air

(With some words by Anne Carson and Maya Deren, italicised)

M

by Sarah Crewe

helix   
                      bringing sexy back to working class
                                                                                          flick trip switch brush kiss piccadilly
it’s enough to burst a dam
water
artificial          landlocked                                                                                                as a city
in ultimate     x    pression                                                                                             you circle
of personal                                                                                                             shared/evasive
                                space
                      
                                                             alluring urban [self] discourse
                                                             insistent                  coming on
                                                             all        tangled        coming on
                                                             all        fleshed out           fluid
 it’s all        in the detail
                                                                                                            how the sky reflects water
                                                                                                              how it used to be so lush
how a canal is a river is the sea is the ocean
                                                                                 how i used to wear velvet          all the time
shimmer                secret seat dancing
pomona as a dock
                           pomona as a goddess
                                                                                                                
                                                                                                        your hide and seek marxism
                                                                                                                   is seriously romantic

from NOCTURNES

by Jane Joritz-Nakagawa

The breathing outside my labored mine. Heavens in bits.
Roots in mental cavities.  Soft, soft the painting of blue.
Becoming ruined cities of crystallized air.
Nervous dialogue.  Solemn child, grime wavers.
Sudden funeral for me.
Tedious empty steps.  A little left.  Too late.

No object is money. A lonely place of rocks and sand.
In dreams a sense of deafness.  Falling in innocent silence.

All foreplay is glitch. A trick of my subconscious
I’m frozen you’re dead.  Twisting wisteria.

Mistress mind cult of prehistoric notorious phonetic
Mammary fiction rice sack hysteria compilation perception
Deathless wall freezes gaze judicial penetration
Unlimited cigarette fantasies of identity disjunctive compilation
Audience of corpses by oceans endowed conglomerate instrument
Enclosed body undying fashion shrunken night

WORDS-LINKS: caves, mind, breathes, root

INEXTINGUISHABLE LIGHTS

by Ali Znaidi

Capitals and cities vied for releasing
the most extravagant New Year’s lights.

On the periphery, near a tent
pierced by the wind
innocent children were celebrating
sharing the lights of an ember
on the verge of extinction.

Now, the extravagant lights dimmed.
But the children’s tears are still
releasing the most glittering lights.

— Lights on the verge of becoming a blaze.

Lights which will never be swallowed by
the piles of ash.

STRANGE BOOLEAN

by Sean Smith

a question, marked
interrobang me, this
this interrogation, me
bang bang, me
in terra

a guesstimate, taken
exclamation we, with
no explanation, we
sang sang, we
claymation

a tension, elastic
ampersand be, bliss
this and and and, be
gang gang, be
sandkissed

WORDS-LINKS: guess, 46

THAPIEROLINSCLOVECOR

by Jukka-Pekka Kervinen

Thapierolinsclovecor

ΛEΞH-ΣYNΔEΣMOΣ: λεπιδόπτερα
WORD-LINK: lepidoptera

MULTIPLICITY

by Matina L. Stamatakis

To do with wild growth into itself:

them or all of them or just the rest of its bits

─ never waver into the abyss of dandelion yellow

or some grandiose landscape mosaic.

A small square, or rhombus, completely incomplete.

As duration,

moving space across one’s belly. From aliases,

no promise to keep the miles between

one I or the other ─            we have swelled in forever,

are variable

in our depths.

WORDS-LINKS: THE JOURNAL OF MULTIPLE I’ S

fri_01

by Sophie Mayer

(On waking from a dream of [Hannibal Lecter] my father)

*

When the cops ask me what had been stolen, I say: “Everything.”

Dining room table, chairs, sofa, armchair, coffee table, TV.

(Spine, hips, kneecaps, liver, kidney, eyes).

Boneless, I ragdoll to the floor. Her head wedged in a tight corner, too-heavy pumpkinhead. Fridge. Washing machine. Beds. Wardrobe. Books.

(Skull)

(Belly)

(Breasts)

(Ribs)

(Lungs)

I can’t breathe. I tell the cops, “I can’t breathe.” They took my lungsspineentrails.

Kitchen (skin) table. Storage (blood) heaters. Kettle.

Heart.

*

Why do I despise myself so in my dreams?

*

(dead. time. memory)

*

The house is like a doll’s house, cut in half for show. Anyone could reach in and touch. It’s a cavity, like in the game Operations, its organs (bright, plasticky) scattered after some implacable sacrifice. And it’s wired. Tiny shocks run through her as she touches carpet that has forgotten it’s carpet. Carpet with its stuffing knocked out of it. Her fingers rest in the chair-leg hollows and feel at home. Feel useful, like a filling. Feel familiar: she knows her own hollows. Shocks anyone who touches them. Drop the organs back in (plop, plop) with a buzz and a sting. It’s inside out, pecked at by ravens down to clean bones.

*

(I fear I have never used my body, or notes on reading Judith Herman, Trauma & Recovery)

*

She can breathe but breath is tears, is torn from her cavity in blue waves that set the hairs on her arms alight.

(Arms return.)

She presses her face into her forearms until

(eyes return)

her eyeballs spring back beneath their lids.

She is a pressure system, tectonic plates, something huge and roaring.

(Lungs return.)

Roaring into silence, roaring silently, don’t scare the neighbours. Rawing her hot face

(blood returns).

She drags her toes

(feet return)

on the fitted carpet, kicking up sparks, presses her elbows into her ribs until the glass globe shatters and she’s inside, she’s up to her elbows

(organs return)

in hot guts and stuffing. She’s ten little piggies. She’s

(bladder returns)

running wee-wee-wee all the way home.

She’s jubilant, she’s a Christmas tree festooned with innards and eyeballs, with sanded white patellas and vertebrae, a biology textbook cut-up and coloured in by a sugar-crazy five year old. She’s this red blood cell and that neuron. Really, she’s that tiny in the doll’s house of her blood. Really. She’d stay here forever.

*

(A/wake)

A shipwrecked cathedral of spars and sunlight, a few not only leafless, a cabin returning its timbers to forest, a greenhouse where the glass has turned to back to sand, an exhalation from a cave where there is nothing but prehistoric bones.

And

gone.

WORDS-LINKS: FRI_01
WHY I DESPISE MYSELF SO IN MY DREAMS?
I FEAR I HAVE NEVER USED MY BODY. (MY DREAMS TELL ME…)