POEM #2

by Antonis Katsouris

a love story in THE SPEED OF LIGHT
a hate story IN A FIT OF REPUGNANCE

desire moves / eros is verb
tenderly traumatic / tenderly I tremble

a love story in which EVERYTHING IS PERMITTED
a hate story WILL BE SUSPENDED

flesh pink / person-to-person pink / heart of pink
mauve poppies / at the heart of the adonean garden

a love story THROUGH THE RECONFIGURATION OF IDENTITIES
a hate story by AN ERROR OF HANDLING LANGUAGE

on this page / I will wait for you / you will rewrite me
from the south of your mouth / from the I of my eye / from the pose of your nose

a love story RIPS ITSELF IN HALF PRODUCING A TWIN
a hate story FOR THE DURATION OF THE HOLIDAY

echo / you always make me / doubt
when is it late /  when is it too late?

a love story TWISTED FROM THE BEGINNING
a hate story EPIDEMIC TO THE END

a passive activity / an active passivity
my poor Daphne / how did you end up / a little green bush

BEFORE THE BREAKFAST

by Iordanis Papadopoulos

WORDS-LINKS: SOMETIMES I’VE BELIEVED AS MANY AS SIX IMPOSSIBLE THINGS

PIECE FOR PIANO AND ALGORITHM

by Iordanis Papadopoulos

The comparison between REAL(he/she is)>REAL(it is) gives value FALSE

End_repeat
End_repeat
End_repeat
Or
show False Data
End_if

The reading order is the works’ submission order.
The repetitive process has to be concluded, when instead of a work title is given the word “END”.

1st rule
Hidden fifths and eighths
between two external voices.
As the sharpest one proceeds
by intervals of second
melodic cadence.
For all the rest, see the syllabus
of the compulsory
in Harmony.

Words-links: NEW INSIGHT 

TIME

by Angela Mewes

half-pipe city

forest of conversion

cliffs no time

the ocean is mine

Word-link: ECSTASY

RADIANCE (DISSOLVED)

by Chris Girard


SOLAR RADIATION

    GOLDEN GRAPEFRUIT GHOST

       ROLLERSKATE
       OX


LIFE

OF VANILLA

REMOVING


In response to
invisible answers (come from streams, moonless center).
Shall I poison?


THE BEAT OF YOUR OWN track
unite REPEAT PROMISES
Silence PATIENT ELSEWHERE
IN THE white bath THERE’S
silver


ABSOLUTE monarchy
(obscurity)


I scramble
in your kingdom. All of the tropical birds,
the energy of the gardens on bare skin.


PERFECTION. 
IS A NEED TO PRESERVE 
THE naturelESS PASSIONATE DEdication,
LIMITLEd REVOLT
IN A STATE OF CLEAR PERPETUAL


COMMONPLACE

HANDSOME


WOMAN FUGITIVE
wrapped in a shawl, and wore cologne. The elements,
this is all but unending.

 

GEOGRAPHY

by Dimitra Ioannou

They break up, they intersect, faint, asymmetrical, grey, along my entire arm. They don’t stand out. They trace steps, my steps at the same place; between the remote geography and the dusty eucalyptus trees, between the thick traffic and the denser silence, between two hours and two hours. On my palm, they trace the skin lines.

I couldn’t imagine another design on me. Neither a map, nor an imprint, more of a rough sketch; between the sudden mist and the radial roads, between the lit-up playing fields. I feel them at each piercing, though they are not complete but much smaller; between the sharp frequency and the extended sunlight, between two barks.

While they continue, they smudge me.

If you exclude this line, this line and that line, no other veins stick out. Sometimes I would like them to be embroidered, embroidered densely with no anaesthetic, with some threads hanging out; just like one of the excesses of idleness.

***
Translation into english edited by Chrissa Babouris

ELEMENTAL

I was feeling
elemental
It’s a huge consoling presence cold to the touch
and damaging the nerves
I need to keep alive the quest a
slow teasing process

I was feeling elemental when I was young
mangy and slippery your eye
I caught my reflection
with no question

Your eye
It’s a huge consoling presence
all beginnings and all
endings who is marching
cold to the touch
marching
and damaging to the nerves

When there was all but nothing right
in front of me and
down and down and down
(harmonica)

I can walk in a town and around the
blocks you wanna be like me under
pressure
I need to keep the quest alive you
can tell me anything you like

I’m after
Disaster

Feel for me
I’m after disaster
it seems to be a
slow teasing process
reflecting the light of myself

Stay a while
and why are you so quiet now
standing in the doorway here
we are
ever falling down
through the day
as if on an ocean
I wonder why we came
despite show-time
I got to put one arm around you