Stefana McClure

Poetry-wrapped protest stones, one for each pocket ready to be thrown.

 

No

 

No: a poem by Emily Dickinson, 2 poetry-wrapped stones, left stone: 12.5 x 12.5 x 7.5 cm, right stone: 10 x 12.5 x 5 cm, 2020.

Protest

Protest: a poem by Ella Wheeler Wilcox, 2 poetry-wrapped stones, left stone: 9 x 12.5 x 5 cm, right stone: 10 x 12.5 x 4 cm, 2020.

Riot

Riot: a poem by Gwendolyn Brooks, 2 poetry-wrapped stones, left stone: 10 x 12.5 x 7.5 cm, right stone: 7.5 x 12.5 x 7.5 cm, 2020

Born in Lisburn, Northern Ireland, in 1959, Stefana McClure received her BA from Hornsey College of Art in London and continued her studies at Kyoto Seika University in Japan. She lives and works in New York. Recent solo exhibitions have been held at Josée Bienvenu Gallery, New York (2018); Bartha Contemporary, London (2017); Sleeper, Edinburgh, Scotland (2017); and Arróniz Arte Contemporáneo, Mexico City (2015). McClure has been included in numerous museum exhibitions, most recently Useless: Art Machines for Dreaming, Thinking, and Seeing, curated by Gerardo Mosquera, at The Bronx Museum of the Arts, New York (2019). Her work is included in many public collections including: The Museum of Modern Art, New York, NY; Fogg Art Museum, Harvard University Art Museums, Cambridge, MA; The Museum of Fine Arts, Houston, TX; The Yale University Art Gallery, New Haven, CT; Staatsgalerie Stuttgart, Germany; Museum Folkwang, Essen, Germany; Kunstmuseum Bonn, Germany; and The Machida City International Print Museum, Tokyo, Japan.

Monica Kim

time at a cross-section

“time at a cross-section” features erasure poems of The New York Times articles from the 1910s-1960s, and erases, inserts, and blacks out words to reimagine narratives that aren’t misogynistic and transphobic. Some poems address gender identity and expression, while others contend with the pressures women face in literature; still others tackle the intersectionality of gender and race to comment on modern-day issues while appropriating older language.

Monica Kim is a social justice advocate and aspiring writer. Born in Seoul, South Korea, she has lived in New Jersey for most of her life. Her writing has been published in The Mantle, Okay Donkey, Thimble Magazine, Stirring, and The Michigan Quarterly Review Online.

J.I. Kleinberg

THE HORIZON

DRAFTS

THE ABUNDANT DARK

BRIDE

VIVID

J.I. Kleinberg’s visual poems have been published in print and online journals worldwide. An artist, poet, and freelance writer, she lives in Bellingham, Washington, USA, and on Instagram @jikleinberg.