The 280s
Explain to Andrew the process it’s not as grey as expected it could almost be summer aside from the temperature (a clear 30 degrees cooler than August) very light blue 283 C 536 C pale blue black 3 C in rear shadow facing the field remnants of rain on the worn tarmacked lane
Paint the world in grey 2359 XGC chocolate egg 143 C winter solstice 7543 XGC sometimes things don’t match busy streets 2756 C & foraging mistletoe 7748 XGC bright Central European Standard Time & colourless Greenwich Mean Time Autoroutes and motorways respective service areas
Delivery not traditional physical printed at 88 sites throughout the world and sold in more than 160 countries and territories post-rain lane quiet comfort sound sporadic chatter free roam foliage gatherer Black 6 C 7751 C 7479 CP 416 CP 7768 XGC masthead centred two-day edition
Let Poems be themselves the use of noise the use of words the point of pencil the point of knifes the use of colour the use of paper the point of wood the point of axe the use of silence the use of electricity the point of fuel the point of poems the use of lists the use of sound
Saumur cormorant skims Loire train crosses furthest bridge wind chill low blue paint livraisons RF place de la Bilange la mie Caline ouvert du lundi au dimanche de 05h a 20h cold of Square Guinness Pub cobweb neon flow gilets jaunes roundabout fires stop aux tax RDV keep cold at bay
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Andrew Taylor has published two collections with Shearsman and pamphlets with Red Ceilings, Leafe, and Oystercatcher, amongst others. He has collaborated with visual artists such as Sophie Herxheimer and Edward Chell. A poetic collaboration with Charlie Baylis, at first it felt like flying is due from Indigo Dreams in January 2019. He edits M58, a blogzine of other poetries. www.andrewtaylorpoetry.com
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